J.M. Barrie’s Peter Pan; or, the Boy Who Wouldn’t Grow Up was first performed at the Duke of York’s Theatre in London on 27 December 1904. While not originally intended as a pantomime, its magical story, youthful energy, and adventurous spirit made it a perfect fit for the genre, and it soon became a festive favourite.

Early productions remained faithful to Barrie’s play, but as pantomime traditions evolved, so did Peter Pan. Key additions included a stronger emphasis on comedy, audience participation, and larger-than-life characters. The role of Peter Pan is traditionally played by a female performer, following the pantomime tradition of the principal boy, while Captain Hook is often portrayed by a well-known male actor or comedian in the classic villain role.

One of Peter Pan's defining features in pantomime is its spectacular flying sequences. From early counterweight systems to modern harnesses and automation, the ability of Peter and the Darling children to "fly" has remained a highlight of every production. Special effects, elaborate sets, and large ensemble numbers further enhance the magical atmosphere.

Unlike more traditional pantomimes, Peter Pan does not always feature a pantomime dame, though comic characters are often added to provide slapstick humour. Many productions introduce a Smee character as Hook’s bumbling sidekick, creating opportunities for audience interaction. Music, often a mix of contemporary songs and original compositions, helps bring the show to life.

Today, Peter Pan remains a staple of the pantomime season, regularly performed in theatres across the UK. Some productions stay true to Barrie’s original, while others fully embrace pantomime traditions, adding new characters and topical humour. With its timeless appeal and the promise of adventure, Peter Pan continues to enchant audiences of all ages, ensuring that the magic of Neverland lives on.